IF you want more, I need you regular listeners to back the story from $1/month by Thursday, July 31 to help me carve time out for its prodution.
Otherwise, FARLOST goes on haitus until 2015. Visit my Patreon page and learn more.
Check out a couple clips for SUBVERSION: Enemy Lines book 1, joining my other books on Audible next month. ENEMY LINES is a near future world where corporations and governments play a secret chess game to control our future…unaware that warring aliens are doing exactly the same thing.
Writer’s assistants are amazing people. Amazing. Whether paid, on commission or completely volunteer, whether they take on one or two tasks or a hell of a lot, it’s phenomenal to see what a team can do that a single person cannot.
But it’s not easy finding a writer’s assistant/AKA Partner/AKA TaskMaster.
Right now I’m editing, collaborating with other authors and narrators, producing a trade paperback (oh, the pain!), promoting my work to date, and putting out a podcast…and when I can squeeze it in, I also write. It’s a lot for one guy!
Following the dumb internet trend of top 5 lists, here are 5 absolutely vital ingredients to a successful partnership. It’s not an exhaustive list, but if you’re missing any of these, you’re looking for something you won’t find.
Podcasting is powerful way to experiment with new content. It has a low cost/tech barrier to entry. Audible can’t make audiobooks fast enough, demonstrating audio remains a unique way for authors to attract attention, where video is an over-saturated medium that often drowns new voices out.
To learn what makes podcast fiction tick, check out my 2011 Parsec Award-nominated Podcast Teardown miniseries, featuring interviews with Mur Lafferty, Nathan Lowell, Jake Bible, Philippa Ballantine, Patrick McLean, Brand Gamblin, Basil Sands, Christof Laputka & Abigail Hilton. Download
On Cal Newport’s ‘Study Hacks Blog’, the assistant professor of Comp Sci at Georgetown, suggests that ‘Write Every Day’ is bad advice.The article’s not strictly for full time writers but I think it’s a good discussion for writer folks to have.
Deadlines aside, I’d counter the goal behind the goal for daily writing is as important as the wordcount; it’s building habits. For me, it is important. So is not stressing about results. Give it a read & decide how to balance the underlying psychology of the act with clear goals, & the need to approach scheduling with flexibility.
If you’re a regular reader/listener become a Patron from $1/month to help me make you more.
I sold my first story 10 years ago. I’ve published a dozen-plus books/audiobooks, ran successful crowd-funding campaigns & put years of experience into putting words together. I’m also the narrator of 25+ Audible titles, and 1+ million downloads of my own fiction.
If you want my help, you’re probably already a reader: so I’ve decided to take on up to 5 patrons to mentor. If you’re ready, let’s get to work.